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Vintage FX Porter

“Vintage FX” Now Available for Premiere Pro!

Posted on November 16, 2012 by Brent Pierce

It’s been a long time coming, but I’ve finally finished building my “Vintage FX” presets for Premiere Pro. For most editing workflows, using presets in Premiere Pro is better than using them with After Effects. But, there are a few presets that are only achievable in After Effects; such as the light leaks, and the dirt and grime effect.

I took great care in matching these presets with the After Effects presets. Premiere Pro handles color quite differently than After Effects, so some effects might vary slightly.

Thanks for checking them out. The presets are still only $8, and includes both After Effects and Premiere Pro versions.

“Vintage FX” Color Presets: $8

pic2a

Free Aspect Ratio Overlays

Posted on October 14, 2012 by Brent Pierce

Most of the time, when working with video, you’re going to be editing in 16×9 aspect ratio, which is the standard for HD video (1920×1080). But, sometime you’ll need to edit in a different aspect ratio. You can do this simply by adjusting the size of your video canvas, but there will be times where your output video file needs to be the common aspect of 16×9.

I’ve made simple overlays for some common film aspects. They are png image files that you place on top of your footage. Simple, right? Check ‘em out.

 

Here are the included aspects:
1.50:1 - 
Classic 35mm.
1.85:1 - Common US widescreen cinema standard.
2.35:1 - Anamorphic. Common in cinemas.
2.40:1 - Anamorphic. Common in cinemas and Blu-Rays.
2.55:1 - Original aspect of CinemaScope.
2.75:1 - Ultra Panavision 70
3.00:1 – Super Widescreen

There are also overlays which will convert 16×9 to 4×9 and visa-versa. And even square overlays, for all you Instagram lovers.

Screen Shot 2012-09-13 at 12.26.27 PM

Timing Music to Your Video Edits

Posted on September 13, 2012 by Brent Pierce

I get asked alot how to trim a song to a desired length. Instead of just trimming the end down and fading it out, this is a tip that uses “markers” in your song to seamlessly cut sections out, or add section in.

Read this guest post, by me, at Premiumbeat.com.
DSLR-Overlay-hero

Free DSLR LCD Overlays from Planet5D

Posted on June 29, 2012 by Brent Pierce
I love free stuff. Everyone knows that. Here’s something from Luke, over at Planet5d, that might be useful to some.

DSLR LCD Overlays

Luke made a free pack of overlays that you place over your footage to make it seem like you’re looking through the viewfinder of a DSLR. Pretty sweet, huh? The overlays are just images, so there isn’t much customization as far as adjusting the on-screen settings, such as aperture, iso, battery life, etc. But, he’s got alot of neat stuff in the download, such as the sound effects from a DSLR, a shutter clip, focused points, etc.

Definitely worth it to grab these little overlays. You never know when you’ll need to use them. Check out his walkthrough video.

SOURCE

mac pro hero

Video Editor’s Gadget List

Posted on May 24, 2012 by Brent Pierce

Warning: file_get_contents(https://webservices.amazon.com/onca/xml?AWSAccessKeyId=AKIAJB4WFYCPQBLRJGOQ&AssociateTag=cineblur-20&IdType=ASIN&ItemId=B002HJTGWU&Operation=ItemLookup&ResponseGroup=ItemAttributes%2CImages%2COffers%2CReviews&Service=AWSECommerceService&Timestamp=2013-05-25T01%3A09%3A55Z&Version=2011-08-01&Signature=hRpEpf1fB7%2F1NjrqemGIuwjipRDAAWxuCbSEXPNbW5M%3D) [function.file-get-contents]: failed to open stream: HTTP request failed! HTTP/1.1 503 Service Unavailable in /home/content/91/7989291/html/wp-content/plugins/amazon-product-in-a-post-plugin/inc/aws_signed_request.php on line 376

Every editor has their own unique setup and style. But some stuff, you just can’t live without. Here’s a quick list of gadgets that I have found that every editor absolutely needs.

NOTE: This is NOT a software list. Sorry Charlie.

 

Apple Computer

I use Apple computers to get my stuff done. They’ve never done me wrong. MacBook Pro’s are very good at editing on the cheap, but don’t offer alot of expandability. If you want to keep expanding your machine and make it better and better as the years progress, then get a desktop Mac Pro.



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External Hardrives

Ok, this is the most essential on the list. Well, besides a computer. But, as an editor, you’re going to need at least 1 terabyte of external media. I would get 2 terabytes, just to be safe. 2 TB’s should last you a year or so, depending on what format you shoot, and how extensive your projects are. And that’s not even including your archive drives. Being an editor takes alot of media storage. That’s just part of the job.

I use Western Digital, and I’ve never had any issues with them. You’ll need something fast enough, 7200 RPM.



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WD My Book 2TB External Hard Drive Storage USB 3.0 File Backup and Storage (Personal Computers)


List Price: Price Not Listed
New From: Check Amazon For Pricing In Stock
Used from: $92.06 In Stock

 

Flash Drives

You’re going to need flash drives to easily take footage to another machine, or to deliver files somewhere. I have a 32 GB that I NEVER leave the house without it in my pocket. I also have a 2 GB that I have for small things, or to let people borrow. It’s smart to put things on your flash drive that you always use, in case you go to another editing machine; like your company’s logo, and your custom keyboard setup file.



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SanDisk Cruzer 32 GB USB Flash Drive SDCZ36-032G-B35 (Personal Computers)


List Price: $48.99 USD
New From: $15.00 In Stock

 

Smart Mouse

I have used a wireless Logitech mouse with my Mac since 2007. I absolutely love it. It has a scroll weel that also goes horizontal. And there are customizable buttons on the side, so I’ve programmed them to do basic and common editing functions; like “undo” and “redo” and “zoom.”



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Logitech MX Revolution Cordless Laser Mouse (Black) (Personal Computers)


List Price: $99.99 USD
New From: $219.99 In Stock
Used from: $64.95 In Stock
Release date August 23, 2006.

 

Large Mouse Pad

Maybe it’s just me, but I love using a larger-then-normal mouse pad. I have more room to move the mouse.



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HandStands 15S07 Super Mouse Pad (Personal Computers)


List Price: $9.99 USD
New From: $8.79 In Stock
Used from: $34.58 In Stock

 

FCP Custom Keyboard

It is not essential, but custom keyboards can be convenient for some editors. I’m typing on one right now. I glance down at it occasionally during edits. But, again, it may not be for you.



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LogicKeyboard Pro Line Apple Final Cut Pro & Express - Extended, Ultra-Thin ALU Keyboard - Wired USB (Personal Computers)


List Price: $149.95 USD
New From: $139.90 In Stock
Used from: $104.99 In Stock

If you don’t want to spend alot on a new keyboard, you could get the key covers.



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KB Covers Final Cut Pro X Keyboard Cover (FCPX-M-CC) (Personal Computers)


List Price: $29.95 USD

NOTE: Make sure you get the correct keyboard for your NLE. (FCP7, FCPX, PP, AVID, etc.)

 

Headphones

You NEED good headphones.



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Sony MDR7509HD Professional Headphone (Electronics)


List Price: $265.00 USD
New From: $494.99 In Stock

 

Blank CD’s and DVD’s

You’ll need these. Get the blank white printable kind. They look much more professional.



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50 Ritek Ridata 52X CD-R 80min 700MB White Inkjet Hub Printable (Electronics)


List Price: $16.99 USD
New From: $8.99 In Stock
Used from: $9.56 In Stock



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Awesome Poster

You need some swag for your editing cave, don’t you?

There you go! That’s a list of gadgets to get any editor started. As you progress and figure out your own workflow, you’ll eventually want more things, like a better graphics card, another monitor, better speakers, etc.

Do you have a gadget that you think is essential? Post it in the comments below.
iTunes

FCP Quick Tip: Using Audio Properly

Posted on January 12, 2012 by Brent Pierce

In this quick tip, I show you how to use audio in Final Cut Pro 7. The file type needs to be exactly AIFF, 48 Khz, and 16 bit to work natively in FCP. It only takes a few seconds to convert to this format.

If you are experiencing glitches or “pops” in your audio, this is your problem.

Watch on Vimeo

Final Cut Pro paste attributes

FCP Quick tip: Paste Attributes and Scale to Sequence

Posted on December 19, 2011 by Brent Pierce

In this Final Cut Pro 7 quick tip, I show you how to copy and paste attributes to other clips. I also touch base on the “scale to sequence” command.

Watch on Vimeo

Unrendered

Render and Export in Final Cut Pro

Posted on December 13, 2011 by Brent Pierce

In my years of using Final Cut Pro, I’ve stumbled across the question myself, “Do I need to render before I export in Final Cut Pro?”

Short answer: “No.”

Now, I’m not going to get too deep into what rendering is, but rendering is basically FCP’s way of making preview files for you to view. Sometimes, you can’t view heavy effects or mismatched codecs in your sequence in real-time, so FCP creates render files that allow you to view the clip in real-time.

But, FCP does NOT need these render files to export. Yes, if you create render files, it will use them to speed up the export process, but if you do not create them, FCP will do so in the background while it is exporting.

I usually render everything for a final 100% real-time viewing, but there are rare occasions where I have no need for render files. Such as a 30 minute speech that I am not cutting, just simply placing text and graphics over the entire thing. The text and graphics, once placed on top, will show me that a render is needed to view in real-time. But I know I don’t need to watch the entire speech, so no need to waste time and render. Simply export (CMD+E) and everyone’s happy.

I would, however, strongly encourage you to render, even if you don’t need to preview, if you are sending your timeline straight to Compressor via “File>Send To>Compressor”. Compressor will slow your computer down big time trying to render at the same time as encoding, so definitely render before you send.

Here’s a setting that not many editors know about: ”Unlimited RT”

Unlimited RT is basically a back-hand to the render bar.

 

Click this. Select "Unlimited RT."

 

If this option is available, it will show here.

It’s a setting found in the timeline, that forces FCP to play as many frames as possible when your effects exceed the processing power of your computer. Final Cut Pro does this by spending time to process some frames in real time while skipping others completely. It’s not available for all effects and codecs, but if it is available, I always enable it. As opposed to Safe RT, Unlimited RT will change your red render bars to orange, meaning that it will drop frames and quality during these segments to achieve real-time playback.

Red render bars: this is with Safe RT

Orange render bars: this is with Unlimited RT

It’s a pretty cool feature. Depending on your system, you may get a pretty decent 12-15 fps playback. That’s enough to quickly check your effects without rendering. On an old MacBook Pro, playing full 1080p ProRes 422 files, I can only playback about 2-3 fps. So it’s not very usable in that case.

So go on, don’t be afraid to skip the render process if you don’t need it.
Demo reel still 2

Brent Pierce – Demo Reel 2011

Posted on October 6, 2011 by Brent Pierce

I am a filmmaker based out of Austin, Texas. I am available for travel. You may contact me for any of the following positions, including sub-positions (assistants):

  • Director
  • Cinematographer (Director of Photography)
  • DIT (Digital Imaging Technician)
  • Editor
[contact_form]
Watch in Vimeo
Using the function key on a compact Mac keyboard

Speed up your workflow with shortcuts

Posted on September 17, 2011 by Brent Pierce

Please note: this article is directed towards Final Cut Pro 7 editors, but the basic principle goes for any application.

If you follow me on Twitter, you’ll notice that I talk alot about using shortcuts. I love using hotkeys to speed up my workflow. I strongly encourage you to take just a few minutes and assign a few custom hotkeys to your most commonly used actions. I edit on both a Mac Pro and a Macbook Pro, both of which, have pretty compact keyboards. To access any of the alternative function keys on the top row (like insert and overwrite), you have to hold the fn key down. Using those becomes a huge hassel when you want to be fast at editing.

Using the function key on a full Mac keyboard

Using the function key on a compact Mac keyboard

Since I personally use the top row function keys all the time (lock audio/video tracks, choose audio/video destination, insert/overwrite, etc.), I’ve switched from the default standard function commands, to those of the alternate commands. So I no longer have to hold the fn key to access the insert and overwrite actions. To do this, simply go into your System Preferences>Keyboard Settings>and uncheck “Use all F1, F2, etc. keys as standard function keys.” This will take some getting used to because to access the usual things like volume, brightness, and expose, you’ll have to hold the fn key. But this WILL save time for the hardcore editor.

I have this box unchecked

 

To view all of your shortcuts, go to tools>keyboard layout> customize, or simply press option H (yes, there is even a shortcut for the shortcuts window.) You need to know the normal and most-common hotkeys. These can get you by with most simple projects:

  • Transport keys – JKL
  • All of your tools - I cannot stress this enough. As a professional editor, you NEED to have ALL of your tools memorized and shouldn’t even need to have your tool palette on screen
  • Zoom – command  +/-
  • Fit to window – shift Z
  • Cut, copy, paste – command C, X, P
  • New project - command shift N
  • Open project - command O
  • New sequence - command N
  • New Bin - command B
  • In and out points - I/O

To be a professional and fast editor, you need to not only know the common shortcuts, but the uncommon ones as well, and even create custom ones to fit your editing best. Here are a few uncommon shortcuts that I have found I use most. Some are more advanced than others:

  • Trim - Use the brackets [   ] or comma/period.  More on this can be found here.
  • Log and capture - command 8
  • Mark clip - X
  • Extend edit - E. Select an edit, and press E to extend it.
  • Add edit - control V (does the same thing as using the razor blade tool)
  • Add marker - M or ` (tilde key~top left)
    • Edit a marker with M again while on the marker frame
    • You can also add specific colors of markers with shift 1, 2, 3, etc.
    • You can also immediately edit a marker if you add the option key to the combination above
    • You can also extend markers with option ` (tilde)
  • Go to markers - shift up arrow (previous marker), shift down arrow (next marker)
  • Video/audio destinations

    Set video/audio destination - F6 (video), F7 (audio 1), F8 (audio 2)

    • example: to set the video destination to track 3, press F6 then 3.
  • Lock video/audio track - F4 (video), F5 (audio)
    • example: to lock video tracks 3, 4, and 5, press F4 then 345
  • Insert/overwrite - F9, F10
  • Play around current frame - \
  • Add default transition - command T (video), command option T (audio)
  • Go to edits - up or down arrows. You can also use ; (semicolon) or ‘ (apostrophe) keys
  • Timecode entry - use the numbers (1, 2, 3, etc.) to go to a specific timecode
    • You can also use + and – to add or subtract from the current timecode
  • Open text generator - control X

Those are the advanced shortcuts that I find myself using on every project. Again, not every editor edits the same, so these may not be as popular with your exact editing technique.

Customize keyboard layout window

Once you’ve been editing for a while, you’ll notice actions that you use over and over. You need to apply these actions to hotkeys in order to save time. Here are a few custom hotkeys that I have found myself using the most. I assigned these because I found myself constantly going to the menu to find them. If you never use these, don’t worry about them. Custom shortcuts should be customized to YOUR editing style, not mine:

  • Insert/overwright - , (comma)  . (period)
    • F9 and F10 also do this by default, but I found myself looking down for a brief second searching for the F9/F10 keys every time. Using comma and period is MUCH easier. You don’t have to move your hand from the JKL position. And since comma and period have the same default action as the bracket keys, you don’t lose the trim feature when you change them
  • Audio: apply normalization gain - option N
  • Send to Compressor - control option C
  • Send to Soundtrack Pro audio file project - control option S
  • Export using Quicktime conversion - control E
  • Composite modes - control command 1, 2, 3, etc

Get familiar with your shortcuts. Glance at the keyboard shortcuts window (option H) from time to time, just to see what you can use. Force yourself to use them. It may take a few days or weeks to learn them, but once you do, you’ll be glad you did. It’ll make you a better editor. You’ll spend less time clicking through menues, and more time creating. The above shortcuts may only be for Final Cut Pro 7, but you need to get familiar with your NLE and figure out what custom shortcuts you need to make.

Load a custom keyboard layout

If you’d like to download my custom keyboard layout for FCP7, you can click here to download it. But, again, you should definitely take some time to figure out what YOU use most and apply those actions to YOUR customized keyboard.

FCP7 back on shelves

Posted on September 1, 2011 by Brent Pierce

Well with the horrible release of Final Cut Pro X, commonly known as iMovie Pro, and the complete face-plant of Final Cut Studio, most thought that Final Cut Pro 7 would be no longer available at all. Today, I noticed a post on macrumors.com that users would be able to purchase Final Cut Studio by an 800-number. So go ahead and call 800-MY-APPLE and get Final Cut Studio before Apple really for real kills it. It’ll cost you $1,000 or $900 with an education discount.

Thanks MacRumors!

Favorites-tutorial-keyboard

FCP7 tip: Favorites

Posted on August 13, 2011 by Brent Pierce

It can be a hassle sometimes to search for a particular filter or transition in Final Cut Pro 7. Luckily, if you have favorites, you can put them aside and make them easier to find and use. This video tip shows everything you need to know about using favorites.

In the video, I use hotkeys to quickly add an effect. Below is a chart to help explain which hotkey corresponds to which effect. Click the image to enlarge.

Also, keep in mind, sometimes there is an issue where the order of the filters for the hotkeys gets mixed up. This also happens when adding multiple effects under a folder as one preset. If this happens, you may have to remove a few of the problematic effects from your favorites.

View in Vimeo.

Sorry that seems to be an invalid Vimeo URL. Please check it again. Make sure there is a string of numbers at the end (e.g. http://vimeo.com/2104600).
bracket keyboard

FCP quick tip: Fine Tune Edits

Posted on August 4, 2011 by Brent Pierce

In Final Cut Pro 7, the ripple and roll tools are great to quickly adjust edits with a simple drag of the mouse. But, what if you only need 2 or 3 frame rippled out? It’s pretty annoying to have to zoom in, and use the mouse to roll 2 frames to the right, then adjust again if it’s off. Well, there’s an easier way to do this.

Bracket Editing

Select the edit that you want to adjust either by simply clicking on it, or by pressing V on the keyboard to select the nearest edit.

Decide if you want to roll or ripple. Press U on the keyboard to toggle through roll, head ripple, or tail ripple. You can jump to the next edit with the up or down keys on the keyboard.

Press the bracket keys on the keyboard to shift 1 frame at a time. Left bracket adjusts to the left, and right bracket adjusts to the right. Add shift and it will shift 5 frames at a time.

Another hint: after you make your edit, press backslash on the keyboard right next to the bracket keys, and it will play a preview around your current time indicator. If you loop the playback (control L), it will continually play that preview. While it’s playing, if your edit is still not quite right, you can use the brackets to adjust on the fly while the preview is still playing.

 

 

 

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