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Browsing Tags color correcting

still vignette

Create a Vignette in Premiere Pro

Posted on November 27, 2012 by Brent Pierce

Vignettes are a nice stylized way to color grade a clip. But, unfortunately, there are no pre-installed vignettes inside of Premiere Pro.

You could transfer your clips to After Effects, or use an application like Magic Bullet Looks to add some vignettes, but if you want to create a vignette right inside Premiere Pro, you can use the “circle” effect and tweak the settings.

Vintage FX Porter

“Vintage FX” Now Available for Premiere Pro!

Posted on November 16, 2012 by Brent Pierce

It’s been a long time coming, but I’ve finally finished building my “Vintage FX” presets for Premiere Pro. For most editing workflows, using presets in Premiere Pro is better than using them with After Effects. But, there are a few presets that are only achievable in After Effects; such as the light leaks, and the dirt and grime effect.

I took great care in matching these presets with the After Effects presets. Premiere Pro handles color quite differently than After Effects, so some effects might vary slightly.

Thanks for checking them out. The presets are still only $8, and includes both After Effects and Premiere Pro versions.

“Vintage FX” Color Presets: $8

Hero title

Instagram filters for video

Posted on February 11, 2012 by Brent Pierce

Everyone loves the Instagram app for their phones. It’s a cool way to create vintage/retro photos with a tap of the finger. Seriously, people go nuts over these type of filters. A while back, Daniel Box, created Photoshop actions of these filters. They’re awesome. Just a click of the mouse, and you’ve “Instagrammed” your photo in Photoshop.

I wanted a way to use these in applications like After Effects or Final Cut Pro. An easy way to achieve a simple color change is by using Look-Up-Tables (LUTs). I’m not gonna dive too deep into what exactly a LUT is, but basically, it communicates color changes from different applications. Aharon Rabinowitz posted a tutorial video about using Red Giant Software’s LUT Buddy, a free application by RGS to create and apply LUTs. It’s pretty helpful in introducing someone to what a LUT is, and how they work.

I took Daniel Box’s Instagram Photoshop actions, and made them into LUTs and presets to use with video. They work wonderfully. Keep in mind. LUTs are a bit limited in their functionality; they cannot apply things that use masks or generators, such as vignettes, diffusion, blurs, etc. But they are still awesome. If you are looking for more vintage presets for After Effects with more features and control, check out my Vintage FX presets.

Click one of these socially awesome links to download!

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How to use these presets.

For FCP7, Motion, and Premiere CS5
1. Download and install LUT Buddy from Red Giant Software. It’s free.
2. Apply the effect “LUT Buddy” to your footage, click Options, then Import LUT, then choose which effect you would like.

For After Effects
Download and install LUT Buddy from Red Giant Software. (If you have CS5 or CS6, skip this step. You don’t need LUT Buddy)
Copy the corresponding “Instagram” presets folder into your application presets folder. (Applications/Adobe After Effects/Presets)
There are 2 different AE presets folders. One is for CS3-CS4, and the other is for CS5-CS6.

For Dacinci Resolve
Place the LUT files in library/application support/blackmagic design/davinci resolve/LUT/CineSpace

DaVinci Resolve: Free Live Webinar

Posted on September 5, 2011 by Brent Pierce

On Thursday, September 8, filmmakingwebinars.com is hosting a free live 90-minute webinar on “How to get started with DaVinci Resolve for any NLE editor.” DaVinci Resolve is a high-end color correcting application that has a very steep learning curve. There is free version of the $30,000 suite to download for all you adventurous color-graders, and also a $1,000 software-only version.

The webinar is free to watch live, or $15 after the live viewing. Here is more info straight from the webinar website.
——————————————————-
DESCRIPTION

Using a project based approach, we will walk you through your first Resolve project from start to finish. We’ll take a TV Spot that was cut in Final Cut Pro 7, grade it in Resolve, then return to Final Cut Pro for titling and final delivery.

We will also discuss working with Avid Media Composer and Adobe Premiere Pro as well as using the built-in scene detection for projects without the sequence metadata.

Where applicable, we’ll tell you the differences between the paid version and free version of DaVinci Resolve.

AGENDA

  • Interface overview.

  • Prepping your Final Cut Pro timeline.

  • Conforming the FCP 7 timeline in Resolve.

  • Grading, adding nodes, using secondaries, PowerWindows and tracking.

  • Round tripping back to Final Cut Pro.

  • Working with Avid, Premiere, and using scene detection.

WHO SHOULD ATTEND

Any NLE editor interested in leaerning more about DaVinci Resolve. Final Cut Pro Editors wanting to learn about the specific workflows between FCP and DaVinci. Avid Media Composer and Adobe Premiere Pro editors wanting to learn color workflows with DaVinci Resolve. Any other professional interested in professional color grading workflows.

PREREQUISITE

Basic knowledge / interest in color correction and editorial workflows.

PRESENTER

Barry Goch

Barry Goch is an online editor working in Hollywood, CA. His recent work includes Falling Skies (TNT), Traffic Light (FOX), and Rob Dyrdek’s Fantasy Factory Season 4 (MTV) and is currently working on the new show, Awkward (MTV).

Barry is also an Autodesk Smoke Certified Instructor, the developer of Smokeys Smoke Keyboard Stickers, has presented other webinars at FilmmakingWebinars.com and has written many articles for the Editors Guild and is Post Magazine’s West Coast Contributor.

HOST

Marcelo Lewin

Marcelo Lewin is the CEO and founder of NewMediaWebinars.com, LLC, owner of FilmmakingWebinars.com, which creates webinars for and by digital media creators on various topics (e.g. Filmmaking, Coding, Photography, etc.) Previously, he founded various other companies including Pixel Heads Network which was acquired by ProMAX and MyInternetDesktop.com which was acquired by Internet Appliance Network. Prior to starting his companies, he has worked for Walt Disney Imagineering, NBC, Toyota, and J.F. Shea.

Davince Resolve Lite: Download Link

Filmmaking Webinars: “How to get started with DaVinci Resolve for any NLE editor.”

 

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  • Vintage FX Color Presets

    Vintage FX Color Presets

    “Vintage FX” is a preset pack with 33 vintage presets for After Effects and Premiere Pro.

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